Rediscovering media artist Nam June Paik through nephew’s eyes

Published on April 2, 2026

Media artist Nam June Paik has made a poignant return to his hometown with a new exhibition that offers an intimate glimpse into his world through the shared memories and insights of his nephew and estate executor, Ken Hakuta. Titled “Nam June Paik: Rewind / Repeat,” the exhibition opened Wednesday at the APMA Cabinet located in Amorepacific’s headquarters in central Seoul. This event marks the first estate-led solo show for Paik in his birthplace in 25 years, showcasing 11 works that many in the public may not yet be familiar with.

“I’m sure today is a very happy day for Paik Nam June because he’s back in his home city of Seoul and he loves being in Korea,” Hakuta expressed during a walkthrough for reporters. He further highlighted the profound connection the artist has with the city, noting that Paik’s ashes rest at Bongeunsa temple, just across the river from the exhibition space.

Among the standout pieces on display is “TV Bra for Living Sculpture” (1969), a pioneering work composed of a transparent plastic brassiere embedded with two small television sets. This notable piece was famously worn Moorman during performances starting in 1969, merging art with performance in a way that challenged conventional boundaries.

The exhibition not only serves as a tribute to Paik’s groundbreaking contributions to the media art landscape but also invites visitors to experience the legacy of an artist whose work continues to resonate, with Hakuta serving as a heartfelt guide through his uncle’s artistic journey.

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