Published on April 7, 2026
The Hammersmith Apollo in London was the setting for Aisling Bea’s much-anticipated standup tour, “Older Than Jesus,” which marks her first foray into solo comedy after establishing herself in popular sitcoms and reality shows like “Taskmaster.” At 42, Bea has finally taken the plunge into standup, delivering a show that is both chaotic and deeply amusing.
Essentially a reflection on midlife realizations, Bea’s performance centers around the humor and absurdity that comes with her life experiences, especially her recent journey into unexpected motherhood. The 75-minute set is a whirlwind of comedy where she deftly mixes personal anecdotes with an array of whimsical themes, crafting a narrative that is both relatable and delightfully absurd.
Despite the show’s title suggesting a level of maturity, Bea remains unapologetically silly and self-absorbed. Her comedic style features amusingly nostalgic references; she shares stories from her childhood, including a humorous account of creating homemade Dairylea spreadables which she whimsically jokingly describes as “bodies of Christ.” These tales are interspersed with playful commentary on her adult life, such as her unconventional role at her sister’s antenatal class and her over-the-top preparations for the life-changing event of childbirth.
In a standout moment, Bea recalls injuring herself while attempting a “slut drop,” illustrating her knack for juxtaposing glamour with the unglamorous realities of life. This approach allows her to illuminate the contrast between the glamorous image of herself that she holds and the less-than-ideal truths of her existence as a new mother navigating the challenges of pregnancy and parenting.
Throughout “Older Than Jesus,” Aisling Bea invites her audience to revel in her immaturity while also reflecting on the chaos of life. With sharp wit and a charismatic presence, she transcends the typical standup storytelling, exploring deeper themes through a lens of playful absurdity and self-deprecation.
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