Published on March 25, 2026
Mel Gibson makes a noteworthy return as a director with “Hacksaw Ridge,” a film that has been labeled one of the most religious movies of recent times, alongside Martin Scorsese’s “Silence.” This war drama is infused with a distinct spiritual message, exploring the theme of conscience against the backdrop of World War II.
The acclaimed actor and director, born in New York in 1956, previously gained significant attention for “The Passion of the Christ” (2004), which he directed solely without acting in it. In the 1990s, he earned an Oscar for “Braveheart” (1995) and faced personal turmoil following his film “Apocalypto” (2006), which focused on the Maya Empire. Despite facing criticism for his radical style and views, critics have consistently acknowledged his talent for filmmaking.
In “Hacksaw Ridge,” Gibson retells the true story of Desmond Doss, a young Protestant from the Seventh-day Adventist Church who enlists in the U.S. Army after the attack on Pearl Harbor, driven by a sense of patriotism. However, he asserts his conscientious objection to carrying a weapon, offering to serve as a medic instead, a choice that stirs controversy among his fellow soldiers and nearly costs him his place in the military.
The film emphasizes Doss’s religious conflict and his upbringing in rural America, influenced by a traumatized father who struggled with alcoholism and the aftermath of World War I. Critics have drawn parallels between the training sequences in the film and Stanley Kubrick’s “Full Metal Jacket” (1987), focusing on the harsh environment of military training while highlighting the struggle for Doss’s beliefs amidst the strict military code.
Lourdes Domingo, a film critic and professor at the International University of Catalonia, eloquently remarks on the significance of conscientious objection in modern society, as portrayed in the film. She notes that respecting one’s right to conscience not only benefits the individual but ultimately leads to a more humane and dignified society.
“Hacksaw Ridge” has been widely recognized as a masterpiece in the war film genre. Many critics have compared its intense war sequences to Steven Spielberg’s “Saving Private Ryan” (1998) and Terrence Malick’s “The Thin Red Line” (1998), particularly regarding themes of violence and pacifism. Gibson’s penchant for depicting violence in a visceral manner reinforces his message against war, demonstrating the profound suffering it brings.
Film specialist Peio Sánchez comments on the graphic depiction of the Battle of Okinawa, where Doss and his unit encounter horrific violence. Gibson’s depiction serves to illuminate both the brutality of war and the nobility of human compassion, as Doss bravely rescues wounded soldiers, including his enemies, despite facing peril.
The film encapsulates Gibson’s view of human nature as inherently violent, a theme underscored of biblical references amidst the chaos of battle. He seeks to underscore the absurdity of war while revealing the capacity for humanity and redemption within its turmoil.
Desmond Doss emerges as a World War II hero, with the film concluding with documentary footage that pays tribute to his legacy. Although his esteemed wife passed away in 1991 and Doss himself died in 2006, Gibson’s portrayal invites audiences to reflect on Doss’s courage and convictions.
While some might argue that Doss’s heroism is exaggerated, particularly in his decision to return to battle on the Sabbath, Peio Sánchez offers insight into Doss’s character, suggesting that he embodies a divine calling that transcends human understanding.
With a budget of $40 million and filming conducted in Australian locations, “Hacksaw Ridge” stands as a significant artistic achievement in peace cinema. As Gibson continues his journey as a filmmaker, viewers are hopeful for a resurgence of balance in his personal beliefs and life.