Pobres criaturas, Frankenstein de Mary Shelley y el mito griego de Pigmalión

Published on March 26, 2026

Emma Stone stars as Bella Baxter in the adaptation titled “Poor Things,” directed , which draws intriguing parallels to Mary Shelley’s iconic novel “Frankenstein.” This merger of contemporary cinematic vision and classic literature highlights themes of creation, identity, and the essence of humanity.

In “Poor Things,” the narrative focuses on Bella, a woman brought back to life scientist. This premise echoes the journey of Frankenstein’s Creature, who grapples with questions of existence and acceptance in a world that often sees him as an aberration. Both Bella and Frankenstein’s Creature challenge societal norms, embodying the struggle between creator and creation, and raising ethical questions about the implications of scientific experimentation.

The connections extend further back in time to Greek mythology, particularly the myth of Pygmalion. In this tale, Pygmalion, a sculptor, falls in love with a statue he has crafted, which then comes to life. The transformation of an inanimate being into a living entity speaks to the desire for control, beauty, and companionship, themes that also resonate throughout Shelley’s work.

This interplay between the characters presents a rich exploration of what it means to be human. While one seeks acceptance and belonging in a world that fears and shuns him, the other navigates her newfound existence, challenging the limitations imposed . The duality of creation—an act of both artistry and hubris—invites audiences to reflect on their perceptions of life, love, and responsibility.

“Poor Things” offers a modern interpretation that promises to provoke thought and discussion among viewers, much like “Frankenstein” did in its time. As societies continue to grapple with rapid technological advancements, the cautionary tales of Shelley and the archetypal myth of Pygmalion remain profoundly relevant, urging us to consider the moral implications of our creations.

As the film approaches its release, the anticipation surrounding Stone’s performance and Lanthimos’ vision suggests a captivating reexamination of the complex relationships between creator and creation, embodied in characters that resonate through the ages.

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