Published on March 27, 2026
Michael Chesley Johnson, a renowned landscape painter and author, has made an exciting announcement for art enthusiasts. His Plein Air Primer is now available for free on his Substack, offering valuable insights for both beginners and seasoned artists as plein air painting season approaches. The primer distills key aspects of his extensive plein air practice, allowing readers to access essential knowledge at no cost.
Initially, there was some confusion regarding the accessibility of this content. The primer was previously set up for paid subscribers only, which was not Johnson’s intention. After receiving feedback and recognizing the issue, he promptly corrected the settings. The prime content, consisting of seven informative articles, is now freely accessible without the need for an email address, making it easier for anyone to dive into the world of plein air painting.
The seven-part series includes:
1. Gear – What do you need for an easel or a paint box?
2. Tools and Stuff – What should I take?
3. Paints, Pastels and Papers – You don’t need more than a few colors.
4. Setting a Goal – Don’t go out without one!
5. Location and Picking a Subject – Location is everything.
6. Making a Proper Value Sketch – Making a preliminary value sketch is a waste of time, right? Wrong.
7. Making a Painting – The final installment of the series.
Readers can access the articles directly through the links provided in Johnson’s communication. This development is a win for aspiring plein air artists who seek guidance without any strings attached.
Johnson also addressed a prior miscommunication about the availability of the content. His updated privacy settings ensure that users can read the posts freely, alleviating any concerns regarding hidden fees or subscriptions.
Despite the initial hiccup, the resolution allows art lovers to explore Johnson’s well-crafted insights into plein air painting. His informative posts and books, like “Beautiful Landscape Painting Outdoors: Mastering Plein Air,” provide a wealth of knowledge for anyone serious about improving their painting skills.
For those interested in outdoor painting, the primer is a resource not to be overlooked, and it invites a broad audience to learn from Johnson’s experience.
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