Published on March 27, 2026
Under a seemingly simple premise—a young woman accompanying her partner to meet his parents—Charlie Kaufman’s film *I’m Thinking of Ending Things* transforms into something much more complex, strange, and fascinating. Starring Jessie Buckley, who recently won an Oscar for *Hamnet*, the narrative gradually blurs the boundaries of normality through mismatched details, dialogues that venture beyond the obvious, and an increasingly unsettling atmosphere.
Kaufman constructs a story that does not seek clear answers but instead immerses the viewer in a constant state of doubt, exploring identity, expectations, and the weight of choices. It is a demanding yet stimulating proposal if one allows oneself to be carried along logic.
What begins as a typical family visit slowly deforms. Nothing seems to fit quite right, and the feeling that something is amiss accompanies each scene. The narrative plays with the audience, disorienting them and breaking with all expectations.
Kaufman opts for long, dense, and sometimes almost hypnotic conversations. These are not conventional dialogues; here, they serve to build atmosphere and deepen character development rather than to advance the plot in a traditional manner.
In this intricate dance, Jessie Buckley shines, carrying much of the emotional weight of the film. Jesse Plemons adds a constant air of unease, while Toni Collette and David Thewlis enhance every scene in the family home.
The film operates on subtleties, with small details, nearly imperceptible changes, and a staging that creates an enduring discomfort. It’s one of those stories that you can’t fully explain, but that’s the least of your worries as you enjoy the journey.
This is not a film for everyone, but if you engage with its game, it offers a powerful experience that might leave you contemplating for days. It has become a classic in Netflix’s catalog.
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