Published on April 4, 2026
In 2025, Laia Estruch greeted the audience with “Hello Everyone” at the Reina Sofía museum. Now, she returns to the capital with a new proposal at her usual gallery, Ehrhardt Flórez, where she presents “Carrau,” inviting attendees to perform themselves.
The term “Carrau” translates to “rattle” in Catalan; it refers to a children’s toy but also to a two-faced musical instrument with medieval origins, commonly associated with festivities and carnival. This instrument traditionally heralded the arrival of spring with great fanfare, making it a fitting theme for Estruch’s latest work.
Through “Carrau,” Estruch aims to create a living experience that transcends mere observation. The performance encourages participants to engage actively, blurring the lines between artist and audience. Visitors are invited to step into the role of performer, thus fostering a sense of community and shared experience within the gallery space.
As audiences stroll through the exhibit, the concept of thresholds takes center stage, symbolizing the transition from passive viewers to active contributors. Estruch crafts an immersive environment that allows individuals to explore their creative impulses, echoing the celebratory nature of the rattle itself.
This exhibit not only showcases Estruch’s innovative approach but also highlights her ability to transform traditional concepts into contemporary experiences. “Carrau” promises to be a thought-provoking exploration of participation and engagement in the realm of art, ensuring that the legacy of the rattle as an instrument of joy and celebration continues to resonate in our modern context.
The exhibition at Ehrhardt Flórez is set to offer a unique opportunity for visitors to reconsider their role in the artistic process and to experience art as a dynamic and collective endeavor.
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