Published on March 25, 2026
Guillermo del Toro has signed yet another adaptation of Mary Shelley’s iconic work, *Frankenstein*, under Netflix’s production. The film is structured into three acts: a prologue, Victor’s tale, and the creature’s tale. This narrative format allows both creator and creature to recount their versions of the story to the captain of a ship trapped in ice. Through their narratives, the film explores compelling underlying themes such as unchecked ambition, obsession, moral ambiguity, and the quest for identity—asking questions about one’s place in the world and how to fit into it.
The film features exquisite production and costume design that creates an entirely immersive gothic atmosphere, characteristic of Del Toro. This haunting environment envelops the viewer in a nuanced horror story. However, it is regrettable that Netflix has opted for a limited theatrical release, just enough for awards consideration, before moving the film directly to streaming. The visual aesthetic and mood are truly deserving of a grand cinematic experience.
Though the predominant tone is romantic and existential, there are some rather gory details in certain scenes that might have been avoided. Nevertheless, it stands as a remarkable film crafted in the traditional style, employing practical effects, physical sets, makeup, and a judicious use of CGI that, although not cutting-edge technology, fulfills its purpose effectively.
The cast is led , who is well-known for his role as Poe Dameron in the Star Wars sequels and has made a mark in films like *A Most Violent Year* and as the villain in *Robin Hood*. In a significant supporting role, Christoph Waltz, discovered , plays the patron funding Dr. Frankenstein’s research. Jacob Elordi, a familiar face in other Netflix productions, portrays the creature, while Mia Goth takes on the role of Elizabeth. Notable is also Charles Dance, remembered a villain in *The Golden Child* and *Last Action Hero*, who plays Victor’s father.
*Frankenstein* is, therefore, a gothic, existentialist, and romantic film made with great devotion behind titles such as *Hellboy*, *The Shape of Water*, *Blade II*, and *Pan’s Labyrinth*. It is arguably one of Guillermo del Toro’s best films to date.