Published on April 3, 2026
Guillermo del Toro presents yet another captivating adaptation of Mary Shelley’s iconic work, *Frankenstein*, produced . The film is structured in three acts: a prologue, Victor’s tale, and the creature’s story. This narrative framework allows both creator and creation to share their perspectives with the captain of a ship trapped in ice. Through their accounts, the film explores profound themes such as unchecked ambition, obsession, moral ambiguity, the quest for identity, and the search for one’s place in the world.
The movie boasts a stunning production and costume design that creates a Gothic atmosphere characteristic of Del Toro, fully immersing viewers in this nuanced horror tale. It is unfortunate that Netflix opted for a limited theatrical release, sufficient for Oscar eligibility, before transitioning the film directly to streaming. The rich aesthetics and immersive atmosphere deserve to be experienced on the big screen.
While the film primarily embodies a romantic and existential tone, it does include some notably gory details that might have been more effective if toned down. Nevertheless, it stands as a remarkable work produced in the old-fashioned way, with practical effects, physical sets, makeup, and the use of CGI that, though not cutting-edge, serve their purpose effectively.
The cast is led , renowned for his role as Poe Dameron in the *Star Wars* sequel trilogy and noted for performances in *A Most Violent Year* and as a villain in *Robin Hood*. Christoph Waltz, discovered , co-stars as the patron financing Dr. Frankenstein’s research. Jacob Elordi, familiar from other Netflix productions, portrays the creature, while Mia Goth embodies Elizabeth. A standout performance comes from Charles Dance, recognized as a villain in *The Golden Child* and *Last Action Hero*, who takes on the role of Victor’s father.
Overall, *Frankenstein* is a Gothic, existential, and romantic film crafted with profound devotion of beloved titles such as *Hellboy*, *The Shape of Water*, *Blade II*, and *Pan’s Labyrinth*. It may very well be one of Guillermo del Toro’s finest works.
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