Published on March 23, 2026
Pascal Schuh’s film “Interior” stood out as one of the highlights at this year’s Black Nights Film Festival, drawing attention not only for its innovative storytelling but also for its poignant exploration of human emotions. In an exclusive interview, Schuh, along with producer and co-author Timo Ackermann, discussed the inspirations behind the film and its evolution since it was showcased in the festival’s Work-in-Progress section last year.
Reflecting on the journey “Interior” has taken, Schuh expressed gratitude for the opportunity to refine the project following last year’s feedback at the festival. He noted that the Work-in-Progress section provided critical insights that allowed him to enhance the narrative and visual style, ultimately reshaping the final product that audiences are now experiencing. “It was an incredible platform for us, and the suggestions we received were invaluable,” Schuh remarked.
Ackermann, who also played a key role in shaping the film’s direction, highlighted the collaborative effort that brought “Interior” to life. He emphasized the importance of teamwork in the filmmaking process, stating, “Every member of our crew brought something unique to the table. The collective passion for the story created a rich tapestry of ideas and creativity.” This collaboration extended beyond just the filmmaking team, as they engaged with various communities to gather authentic perspectives that informed their storytelling.
When asked about the central themes of “Interior,” Schuh explained that the film explores the complexities of domestic life and the often-overlooked emotional landscapes that inhabit our homes. “We wanted to dive deep into the interiors not just as physical spaces but as representations of our inner worlds,” he stated. He believes that the setting contributes significantly to character development and the unfolding of the narrative, allowing viewers to connect with the characters on a deeper level.
Both Schuh and Ackermann acknowledged the challenges faced during production, particularly the need to balance artistic vision with practical constraints. Despite this, they remained committed to preserving the film’s integrity, making careful choices that aligned with their vision. “Every challenge brought us closer to the essence of what we wanted to convey,” Ackermann remarked.
As “Interior” continues to garner attention at the Black Nights Film Festival, Schuh and Ackermann remain hopeful for its future. They view the festival as an essential part of the film’s journey, providing a platform for broader audience engagement and potential distribution opportunities. “The festival circuit is a crucial part of sharing our story with the world,” Schuh concluded.
As “Interior” receives accolades and sparks conversations, it becomes clear that Schuh and Ackermann’s collaborative effort has not only resulted in a powerful film but has also reaffirmed the importance of community and shared experiences in the artistic process.