Published on April 5, 2026
The California star may have earned an Oscar nomination for her portrayal of Joan Baez in Dylan biopic “A Complete Unknown,” but as she prepares for her stage debut in “Les Liaisons Dangereuses,” Monica Barbaro admits that imposter syndrome continues to loom large in her mind.
“I feel like I’m imitating an American accent, but it really is mine,” Barbaro jokes during a recent rehearsal. The actor has spent the morning practicing an English accent for the National Theatre’s revival of the classic play. Yet, she frequently reverts to her natural voice in interviews, explaining, “I feel it’s best to use my own voice.”
Today, Barbaro reflects on this new chapter in her career as she takes on the role of Madame de Tourvel, one of literature’s most famous victims of seduction and manipulation. “Speaking aloud in a theatre for this big of an audience is new for me,” she admits, her apprehension evident.
The role of Madame de Tourvel comes with a rich history of iconic portrayals, making the challenge even more formidable. Previous actors in the role include celebrated names such as Juliet Stevenson, Michelle Pfeiffer, Annette Stroyberg, and Reese Witherspoon. With each of these stars setting high benchmarks, the weight of expectation is palpable as Barbaro steps into her interpretation.
Despite her accolades and recognition from the film industry, Barbaro’s candid acknowledgment of her insecurities highlights the pressures that many performers face when transitioning between mediums. The shift from film to live theatre involves not only a change in performance style but also a deeper connection with the audience that can be intimidating.
As she navigates this new role, Barbaro’s blend of humor and honesty serves as a reminder of the vulnerability that underlies the craft of acting, regardless of past successes. With opening night approaching, she embraces the journey ahead, hoping to conquer her fears and deliver a memorable performance.
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