Published on March 28, 2026
A new Broadway play is taking a bold and unflinching look at the troubling rise of antisemitism in modern society. Titled “Under the Surface,” the production explores the complex narratives surrounding prejudice and hate, offering audiences a thought-provoking examination of how these issues manifest in contemporary life.
The play, which premiered last week at the historic Longacre Theatre, has already begun to generate buzz for its raw and emotional storytelling. The narrative weaves through the lives of several characters, each grappling with their own experiences and biases, while highlighting the wider societal implications of antisemitism.
Director Maya Goldman states, “It’s essential that we confront the realities of hate in all its forms. This play doesn’t shy away from difficult conversations. Instead, it brings them to the forefront, encouraging dialogue among diverse audiences.”
The characters are drawn from various backgrounds and settings, each contributing a unique perspective on their encounters with prejudice. Through personal stories and interactions, the play reveals how antisemitism can be both overt and insidious, often disguised as casual comments or assumptions made in everyday life.
Critics have praised the performances as both powerful and nuanced, with lead actor Samuel Roth delivering a particularly moving portrayal of a young Jewish man struggling with his identity amid a culture that frequently marginalizes him.
In addition to tackling antisemitism, “Under the Surface” also reflects on the often-complex relationships between various ethnic and religious groups. The script invites audiences to question their own biases and the cultural narratives they have internalized.
The play’s debut comes at a time when antisemitic incidents have been on the rise in various parts of the world, particularly in the United States and Europe. This backdrop of real-world events gives the play not just relevance, but urgency, capturing a moment when society needs to assess its values and behaviors.
Community organizations and advocacy groups have taken note of the production, commending it as an essential step in addressing the current landscape of antisemitism and hate. Some have organized discussions and panels in conjunction with the theater to further foster conversations inspired .
“Under the Surface” runs through the spring, with tickets selling quickly as audiences seek to understand and engage with the pressing issues it raises. The production promises not only to entertain but to enlighten, making it clear that theatre can still serve as a powerful vehicle for social change.
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