Published on April 12, 2026
The recent illustration for The New Yorker’s profile of OpenAI CEO Sam Altman has sparked criticism for its unsettling presentation of the tech leader. The image, depicting Altman with a blank expression surrounded of himself, diverges from traditional profile art -generated elements that some viewers find alarming. The artwork features various facial expressions, including anger and despair, that are not universally recognizable as representations of Altman. This visual approach has raised questions about the appropriateness of using AI art in media portrayals, especially in contexts involving influential figures. Critics argue that the imagery detracts from the subject’s capacity for meaningful dialogue about artificial intelligence and its societal implications. The juxtaposition of a serious profile with a jarring illustration may shape public perception in unintended ways. Discourse surrounding AI art and its role in journalism is intensifying as media outlets navigate the implications of such technology. The New Yorker’s choice highlights the tension between innovation and authenticity in visual storytelling.
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